I was lucky enough to have chance to interview an author who’s work I am extremely interested in. Tim’s book details the story of several characters from the First World War who stayed behind in France once the war was over to find and bury the bodies that were left by the fighting. Below is the interview we conducted – via email mind!
– where did you get the idea from – what inspired you?
Two things got the ball rolling. I was doing some research into a relative who served in Flanders during WW1 and discovered that his battalion had been destroyed in early 1918. The soldier was transferred to a unit I’d never heard of called an ‘entrenching battalion’ and I was inspired to find out more. Some time later a chance conversation with a friend intrigued me. He said a relative of his had suffered from the effects if gas – in spite of not serving abroad until 1919. It was news to me that soldiers were still being sent abroad in 1919. And I was intrigued to know what he was doing – and how he’d been gassed.
Can you tell me a little more about the book?
It’s a war book (obviously) but a war book with a difference. First, the action only starts once the guns stop firing. And rather than battles, attacks, it’s about the aftermath – the enormous clearing up operation that involved finding and burying the thousands of bodies abandoned on the road to victory. But it’s also about the individual aftermath for the men involved – all of whom, to some extent, can only cope with the end of the war by remaining abroad doing the Empire’s dirty work.
What was your research process before you began writing – or did you research as you went along?
Both, really. I spent a lot of time reading just about all the books on the subject that I could find. I also spent some time trawling the archives of the Imperial War Museum as well as going to Flanders, staying in Ypres and walking the streets and the battlefields described in the book.
Are there any particular stories you came across during researching that stuck with you more than any other?
The exhumation of the battlefield cemetery at Wild Wood was especially poignant (you can read an extract describing it on the Unbound website).
Is there a character of yours whose journey moves you more than any other, or even a character who you favour a little more over the others?
The main protagonist, I suppose, has to take centre stage and it’s his journey from battle-scarred veteran suffering what would now be called post-traumatic stress disorder to a man if not at peace with himself, then certainly at peace with his past that is the book’s central theme. But that personal journey mirrors the wider social journey as a country devastated by war slowly comes to terms with what has happens and starts to think about the future.
The cemeteries and monuments kept by the CWGC are always beautifully maintained; is there one that you feel you have a connection to?
There are some tiny battlefield cemeteries on the Somme that are especially memorable – places like New Munich trench cemetery near Beaumont-Hamel where around 100 men are buried, usually from the same regiment and often close to where they fell. But my favourite is probably Ypres ramparts cemetery because of it’s location on the eastern ramparts of that devastated city as well as its stunning beauty, especially in autumn.
There are many heart-felt epitaphs on some of the gravestones out in France, are there any that you found particularly moving, or that you chose to feature in the book?
The original title of the book was ‘Known unto God’ which appears, of course, on thousands of headstones. In terms of the book, it’s appropriate both to the work of the exhumation company about whom the book is written and to the central secret that keeps the main character, Jack Patterson, in Flanders finding bodies, digging graves and avoiding something – or someone – back in England.
You’ve chosen to use Unbound to publish your work – why have you decided to go down this route?
They were the first people to see the MS and they liked what they read and were immediately encouraging. And I like what they’re doing. I’ve been published ‘traditionally’ a number of times by a number of different publishers and haven’t ever felt in control of what was happening. I like the fact that artistically I’m wholly responsible – which mean I’ve got to persuade the public that what I’m doing is worth reading! That’s hard work but I think there’s a decent chance of getting better books this way. I was am Unbound customer long before I become one of their potential authors and I’m delighted to have supported so many books that I really wanted to read, but which might not otherwise have been written.
If you are interested in donating to fund the publication of Tim’s book or want to find out more, check out his Unbound page here!